With the manuscript for Action Figures – Issue Two: Black Magic Women out to my editor, it’s time to move on to the cover, which is proving something of a challenge.
Coming up with a concept for the cover of book one was remarkably simple; it was one of those “it just popped into my head” moments, and even after giving the concept some cooling-off time, to see if it was still a good idea once the thrill that comes with the act of artistic creation died down, it held up. I threw the idea over to my cover artist Tricia Lupien, and she nailed it right away.
The cover achieved what I wanted it to achieve: it hinted at the nature of the story without spelling it out. It also avoided the trap I see on so many other novel covers: it wasn’t such an abstract image that it told you absolutely nothing about the story.
It further avoided another trap common to self-published novels, in that it wasn’t absolutely wretched (like these regrettable entries).
Book one was such a cakewalk, I assumed I’d have similar luck with book two, but no. I wanted to utilize the same approach and present a cover that teased the story, but every concept I came up with didn’t stand up to the cooling-off test — mostly because the end result would have been a crowded image. I’m not a great artist, but I grasp composition well enough (thanks in large part to my time at the Kubert School) to know when an image is too cluttered.
While it pains me to do so, I asked Tricia to play with something more general, that drew inspiration from some of the more familiar comic cover tropes (i.e., the hero walking away, as if in defeat, a la “Spider-Man No More!”; or the anguished hero cradling the body of a dead comrade, a la “I love my dead Dark Phoenix!”). The back cover will now serve the intended original purpose of the front.
In case you missed it, which you may have because I didn’t post anything here, the print edition of Action Figures – Issue One: Secret Origins is now available at Barnes & Noble’s website!
Last month I submitted the novel to B&N hoping to have it added to their catalog of in-store items, but apparently its sales need to be better for that. However, they added the book to their website, so I’ll take that as a minor victory.
To tweet or not to tweet is the question I’m asking myself.
Full disclosure, I hate Twitter. I simply don’t get it. It’s like Facebook for the ADD crowd, with the self-absorption factor cranked up to 11. I’m as guilty as anyone for posting trivial fluff on my personal Facebook page, but Twitter, to me, always seems to encourage people to report on their every little activity (“Just peed in nastiest restroom ever #employeesmustbleachself”).
Yet, like any social media outlet, it has a lot of potential as a marketing tool, which is why I encouraged my wife to set up a Twitter account for Storied Threads.
Apparently, a lot of indie writers are turning to Twitter, sometimes in favor of Facebook, to promote their work, mainly because Twitter feeds every post to every follower, unlike Facebook, which decided to monetize news feeds by limiting what people see from pages they’ve liked, thus encouraging people to drop money to expand their posts’ visibility.
The question is, do I take advantage of a viable marketing tool, or cling to my distaste for the Twitter platform?
Of course I’m going to swallow my contempt in order to pimp myself. Duh. Go follow me on Twitter at https://twitter.com/MCBaileyWriter
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