A Writer’s Anti-Scam Checklist

I’m writing this as an indirect response to a Facebook scammer who made an appearance on one of the writers’ pages I follow. She (if she was indeed a she) asked people to PM her if they were interested in an easy writing job that promised big money in return.

I was instantly skeptical and smelled a scam in the making. My instinct was confirmed to my satisfaction when I visited the poster’s FB page and found it curiously empty. I posted a warning to fellow page members. This prompted a brief exchange between the OP and me, and soon thereafter the OP was banned from the page as a scammer — after at least two people took the bait, unfortunately.

Scammers like this prey on aspiring and novice writers and depend on their naivete and inexperience to score some free labor and maybe a quick buck or two before vanishing into the Internet aether. Fortunately, having encountered quite a few of them, they’ve shown themselves to be fairly obvious if you know what to look for, so as a service to my less experienced fellow writers out there, here are some key warning signs that someone might be a con artist.

1: They ask the mark for money.

Neil Gaiman has a simple rule when it comes to writing professionally: money flows toward the writer.  Someone offering a writing job should never ask you to cough up any kind of fee or to cover costs associated with the publication of the end product (your writing). If any part of a writing gig involves you paying them for anything and getting reimbursed later, it’s a scam.

Similarly, a legit publisher shouldn’t ask an author to cover the cost of anything, from editing and cover art to distribution costs and comp copies to — and I’ve seen this before, no kidding — office supplies allegedly used in the course of working with the writer. All those expenses are supposed to be recouped from the sale of the writer’s work, not from any up-front charges to the author.

2: They ask for personal information.

If someone posing as an employer says they need a Social Security number as part of an application process or a bank account number so they can pay you via direct deposit, cease all communications immediately. Give them nothing and, if it’s a conversation over social media, report them.

3: They are stingy with details.

The FB post I referred to in the opening read something like this: “Want to work from home, control your own schedule, and earn big money writing? Contact me privately!” When I asked for specifics about the job, the poster got rather pissy (more on that later) and refused to say anything about the jobs they were offering — not the nature of the job, what kind of pay they were offering, not the name of the company — nothing. Even when asked directly she refused to say anything. Well, almost…

4: They behave unprofessionally

When I asked for more information, the OP became immediately defensive. I was told to back off, berated for expressing my doubts about her legitimacy, and shamed for not letting the adults on the page “make their own decisions.” The OP even threw an implied threat at me that she would wield “the power of my pen” (actual quote) against me if I gave her any more grief.

Despite what our recent presidential election might lead some to believe, responding to simple questions with belligerence is not mature or professional; it’s a warning sign that this person is offering nothing and knows it and didn’t expect resistance, so now he’s doing what teenagers trying to buy cigarettes at a convenience store do when asked for ID: they feign indignity to try and scare and intimidate the cashier into giving them what they want.

5: They have no distinct identity.

I checked out the OP’s Facebook profile and it immediately smacked of a fake account. There was no personal info, the profile pic was a stock photo (“professional woman with laptop”), she had all of 15 friends from several highly disparate geographical locations, and the page was only two weeks old, indicating that it had been set up very recently. Scammers regularly set up fake profiles for the express purpose of pulling a hit-and-run scheme, so if you’re suspicious about someone, look for telltale signs that a profile page might be bogus.

Added FYI: if someone’s profile photo looks a little too slick and professional, try using Google’s image search feature. Just right-click over the photo and choose “Search Google for image.” If a stock photo comes up, you know you’re being duped.

6: The company has no online fingerprint.

Someone might claim to represent a company, but far more often than not this is a Vandelay Industries type of thing. Run a Google search and see if the alleged business has full website rather than just a Facebook page or a Twitter account, which are much easier to set up for a quick con. If it doesn’t have a full-fledged website or any kind of serious online presence, be suspicious.

7: It has an online presence, but not the good kind.

I regularly advise neophyte writers looking for job opportunities, agents, or publishers to Google their prospects with the terms “writer beware” or “water cooler” attached, which will bring them to the Writer Beware and Absolute Write websites, which are great resources for ferreting out scammers and less-than-reputable businesses. Scammers either don’t realize writers talk to one another, or they hope that their current target is too naive to think of conducting a due diligence check.

Weekly Update – September 6, 2016

This week’s big announcement: The Adventures of Strongarm & Lightfoot: Assassins Brawl is now available for pre-order!

The Kindle edition is scheduled for a September 27 release and will retail at $3.99. The print edition should be available around that time as well, and I’ll post price info when I get it.

SandA Ad SquareThe week before Assassins Brawl‘s release, the first book in the series, The Adventures of Strongarm & Lightfoot – Scratching a Lich will be available for free through Amazon for five days, You’ll be able to get the Kindle edition for free from Monday, September 19 until Friday, September 23, so grab a copy for yourself or gift one to a friend.


Action Figures – Issue Six: Power Play: Pre-editing revisions are done, in the queue for editing.

Action Figures – Live Free or Die: Pre-editing revisions are done, in the queue for editing.

Action Figures – Issue Seven: The Black End War and Action Figures – Issue Eight: Got some good work on both books done over my long writing weekend. The great thing about having book six already in the pipeline is that I can take my time working on the next two in the series, which is a big benefit in light of how very different book seven is going to be from the other stories.

Action Figures – Issue One: Secret Origins:  I received the first chunk of the audiobook this morning and it’s sounding pretty good. I asked my narrator, Jen, to re-do the exposition-heavy first chapter to punch up the pacing and energy a bit, but that’s a minor tweak. I’m eager to see how things sound once she really gets into the meat of the story.



First, as a mere point of amusement, I stumbled across this German blogger who reviewed Action Figures – Issue Two: Black Magic Women. The Google translation isn’t perfect, but it works well enough to know this reader liked it.

Last week I learned that Secret Origins and Scratching a Lich had been nominated for something called the Summer Indie Book Awards. I don’t know how they ended up on the nomination lists — I have to assume a fan of the books submitted them — but they’re there.

While it’s nice to be nominated, I’m not putting a lot of stock in this. There are a ridiculous number of awards programs for indie authors to apply to, almost none of which are, in my opinion, worth anything. They’re too often backed by a for-profit outfit rather than an industry organization such as the Horror Writers Association or the World Science Fiction Society (which present, respectively, the Bram Stoker Awards or the Hugo Awards), charge a hefty entry fee, have extremely liberal guidelines for nominations (if they have guidelines at all), and aren’t judged based on a given work’s merits.

The Summer Indie Book Awards, for example, is a flat-out popularity contest. I could literally go onto the voting site every day and vote for myself. I could rally readers to go vote for me on a daily basis. The eventual winner is more likely to be whoever coordinated the best “vote early, vote often” campaign rather than who wrote the best book.

And what does the author get out of winning? Bragging rights, mostly, a chance to say they’re an “award winning” author — which is what so many of these awards are counting on. They’re preying on authors’ egos to make a buck, and there is too much of that going on in the industry.

Friendly word of advice for fellow indie authors before you fork over an entry fee for any kind of awards program: Google the award’s name and add the terms “Writer Beware” of “Water Cooler” to see if the program has been red-flagged by the Science Fiction & Fantasy Writers of America or Absolute Write. If it looks like a for-profit venture, avoid it.